When something like Dubliners by James Joycecomes across your desk for a new jacket and design concept, it really deserves a little more attention. How do you represent the visual shell of one of the most famous books in the English language? Indeed.
All of life is here in this collection of fifteen short stories. The characters of these stories, these ordinary Dubliners lives, loves, triumphs and failures are observed with a sharpness and empathy that few writers have ever achieved.
Father Flynn in The Sisters, Jimmy Doyle trying to better himself and failing in After the Race, these, for me, were just two ‘windows’ on these Dubliners’ lives that convinced me that using the ‘window’ as a metaphor might be the approach to take. The stories centre on Joyce’s idea of an epiphany: a moment where a character has a special moment of self-understanding or illumination. The initial stories in the collection are narrated by children as protagonists and, as the stories continue, they deal with the lives and concerns of progressively older people. This is in line with Joyce’s tripartite division of the collection into childhood, adolescence and maturity.
There I had my two design elements:
1.The tripartite division of the collection of short stories into childhood, adolescence and maturity. This is achieved by splitting the word ‘Dubliners’ in three. Also within the book three photographs break up the main body of text.
2. A ‘window’ looking onto Dublin of the period hidden behind the letters. As the stories look deeply at their characters, the image used is College Green in 1914.
What did you think of our cover?