Making Murphy’s Law

This week, author Muireann ní Chíobháin and illustrator Paul Nugent tell us all about the inspiration and illustration of their picture book Murphy’s Law.

Muireann ní Chíobháin

I’m a dog person but I’ve never been lucky enough to have one of my own. I’ve never met a dog I didn’t like. I can’t walk past one without stopping to say ‘Hi’. It means a trip to the shop can take longer than it should with all the pooch stops. I can’t help myself because basically dogs are simply pawsome! I spent many years living next to Herbert Park in Dublin which afforded me the great joy of meeting all kinds of gorgeous fur friends every day.

But one day, I met a puppy like no other and our brief encounter left me with the seed for a story. Irish Wolfhounds are very big dogs, even as puppies, and their owners must be the biggest dog lovers ever because they need lots more walking than other dogs, or so I’m told. This day, I saw a girl being dragged from tree to tree, bench to bin, by a very enthusiastic young hound, whose spectacular tail was wagging all over the place. He managed to do the impossible; scare the brazen D4 pigeons into giving me and my sandwich space for once by running about excitedly and swishing his huge tail uncontrollably. Unfortunately for him, his excitement was leaving a trail of minor destruction behind him. He was accidentally trampling on newly planted shrubs, knocking over signs, chasing footballs mid-match and confiscating frisbees. His enthusiasm was a joy to watch but a job and a half for his owner to keep up with. But she never shouted or scolded the puppy, just laughed and tried to minimise the chaos. The furry whirlwind bounded over to me, pulling his owner behind him. We all chatted. He was a new puppy, full of beans: a trouble magnet with no name yet.  

‘He’s a law onto himself. Whatever can go wrong will go wrong when he’s around,’ his owner chuckled.

‘You should call him Murphy so,’ I said. The dog barked in agreement. We laughed. ‘Is that your name so?’ I asked. He barked again.

‘Must be!’ said his owner.

You couldn’t write it, or could you? We parted ways and I could swear I heard her call him Murphy in the distance as he tried to sub in as a goalie in a football game on the green. That night I jotted down the first lines of what would become Murphy’s Law about the happiest dog in Ireland who, despite being a trouble magnet, clearly made his owner the happiest dog owner ever. 

Paul Nugent

When I first read the text for Murphy’s Law, I knew it would be a lot of fun to illustrate. It already had so much of Muireann’s brilliant humour packed into it, but it also had room for me to populate it with details and my own interpretation of Murphy’s mischief. The book takes Murphy to lots of different environments, and it was a joy to think of how things could go wrong in each one!

The design for Murphy came to me almost immediately and didn’t change much from the initial concept to the finished book. The design for his human best friend, Mary, however, was a little trickier. I’ve always found non-human characters a lot easier to design for some reason. The original design had Mary rounder and more cartoonish, which contrasted a bit with Murphy’s texture, so the design evolved to mirror him more. I thought of Mary as a more dependable, less clumsy, human version of Murphy, and I think the finished design conveys this!

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Eva and the Perfect Blog Post

To celebrate the new paperback edition of the wonderful picture book Eva and the Perfect Rain, author and illustrator Tatyana Feeney tells us all about her writing and illustrating process.

by City Headshots Dublin

When I became interested in making picture books, I really was thinking about the illustrations and making beautiful art to go with a story.

But after working on some character design projects in art college, I started to think about stories to go with my drawings, or stories about the characters that started to evolve as I was drawing them.

What was different about Eva and the Perfect Rain, is it was the first story I wrote that began with the words.

When I first moved to Ireland, I was amazed and intrigued by all of the words that are used to talk about rain. The words and phrases that I heard made me think of different textures, colours and ways of showing weather. ‘Soft day’, ‘sunshower’, ‘pelting’, ‘lashing’, ‘bucketing’, they are all so descriptive and I realised I wanted to make a book that would show what those words look like to me.

This is how Eva’s story started.

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Hedgehogs, Hoglets and Hibernation

Author and illustrator, Bex Sheridan, tells us all about the inspiration for her gorgeous new picture book, Go to Sleep, Hoglet!

I live with my husband, Jay, in a house filled with animals and in 2017 a spikey little hoglet joined the crew. We called him Mu. Mu is an African pygmy hedgehog (a domestic pet hedgehog). They’re smaller than wild Irish hedgehogs and look a little different. One big difference is that African pygmy hedgehogs who are kept as pets are not supposed to hibernate, but they still can. If they do they can fall ill, so making sure Mu stayed in good health meant understanding hedgehog hibernation. This was how the seed for Hoglet’s adventure was first sewn.

Mu doesn’t like me very much, he’s a very angry little hedgehog. I know he’s angry from how he acts, how he tries to spike me with his quills at every opportunity and he makes some very funny sounds. With his mood written all over his face (he makes no attempt to hide his anger), I couldn’t resist drawing him. There’s just so much expression in such an angry little guy! I had so much fun trying to draw each and every spike that I drew him several times and even made prints to share his anger. It turned out I actually enjoyed telling people all about him and sharing what I’d learnt about hedgehogs along the way.

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Ten-minute Chat with Úna Woods

Una Woods – Photography by Ruth Medjber @ruthlessimagery

On Culture Night 2018, Úna Woods asked for a ten-minute slot with the O’Brien Press team at our Pitch Perfect event. Two years later, I asked Una for ten minutes of her time for a quick chat about her debut picture book, Have You Seen the Dublin Vampire?

How does it feel to have your first book published?

I have always dreamed of writing and illustrating my own picture book. To finally see it printed is so exciting. I can’t wait to see it in bookshops!

What made you sign up for Culture Night in 2018?

My Friend Paula Moen persuaded me to go along to the Culture Night pitching event, as I was always talking about writing and illustrating my own book. It was great to finally have the goal of pitching my book to somebody and it was such a great opportunity to meet a publisher face to face.

Tell us about your Culture Night Pitch Perfect experience.

I was so nervous when I knocked on the door, as I didn’t really know what to expect. I pitched my idea to Emma Byrne,  the Design Manager in O Brien Press. At this point I didn’t really have a full story, but I knew that my story was going to be based around a friendly Dublin Vampire. I brought along some sketches and I had done up some colour samples, so she could see what style I intended for the book. She really liked what I had brought along. It was so great to be able to show someone my ideas and chat to them face to face. I felt really lucky to have met Emma, as she mentioned she liked vampires too. And so the adventure of making my picture book began!

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Virtual Interview with Carol Ann Treacy

This week, I had a virtual interview with the wonderful Carol Ann Treacy, author and illustrator of Barney Goose – A Wild Atlantic Way Adventure. Carol tells us about her inspiration for Barney Goose, her writing and illustrating processes and more!

What inspired you to write and illustrate Barney GooseA Wild Atlantic Way Adventure?
A few years ago we took a trip along the Wild Atlantic Way coastline. It was such a fun holiday, and I was struck by the beauty of marine and bird life there. I really wanted to capture that in some way, so I started thinking about creating an illustrated journey book. I am fascinated by wildlife and in particular birds (mostly because they can fly). I’m kind of in awe of how geese fly in formations and on such incredibly long journeys across vast oceans every year. I thought it might be interesting to tell a tale of a barnacle goose who starts his life as a displaced egg, away from other geese, but through instinct, determination and a little help from other animals he meets along the Wild Atlantic Way, finds his way back on track. And then he makes that unbelievable journey, thousands of miles across the Atlantic Ocean, for the first time.

What was your creative process with this book? What came first – the illustrations or the words?

I start my process with notebooks, which are usually a mess that no one could decipher apart from myself! Initially, I worked on both the storyline and illustrations for Barney Goose in tandem. Whenever I got stuck, I could switch over, and one kind of informed the other. I worked on my main character, Barney the barnacle goose, first – they are such striking geese, with long, black necks and white-feathered faces.

After doing my research on the life and character of these geese, I started teasing out the story of Barney’s journey from West Cork to Donegal, and drawing some of the other characters Barney meets along the way. When I had my storyline in place, I submitted the text to my editor, Eoin O’Brien, for refinement. At this stage, Eoin suggested creating some ‘scamps’ – very rough sketches. Using a roll of parchment paper, I sketched out every double page spread as one long, continuous storyboard. This was my favourite part of the process, where everything started to come together. I love using a scrollable storyboard – it’s a great way to see just how all the scenes interact, and at this stage you can correct or change anything, before any detail is added.

Once everyone was happy with the sketched layout, I photographed my storyboard and started to work over my drawing in digital format. I used Adobe Illustrator and a Wacom tablet for drawing and painting.

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A Giant Blog Post

 

Author and illustrator Marie-Louise Fitzpatrick tells us the inspiration for The Sleeping Giant and the little girl, Ann.

 

In 1988, my sister Bernardine and myself were spending a week in the Kingdom of Kerry. Our neighbours, the Kennedys, ­happened to be there at the same time so we dropped around to their holiday rental to say hi. Their cottage faced the sea. Mary pointed out over the wall and said to her little girl, ‘Look, Eva, we can see the Sleeping Giant from here.’

‘The Sleeping Giant?’ I asked. A dozen family holidays in Dingle and I’d only ever heard Inis Tuaisceart referred to as ‘An Fear Marbh’.

‘I don’t want to scare Eva by calling it “The Dead Man”,’ Mary whispered. ‘Not when she can see it from her bedroom window.’

Hmm, I thought. So if the island is a giant, why is he asleep? And what happens when he wakes up?

An unfamiliar name for a familiar landmark caused a shift of perception inside my brain, which, in turn, sparked an idea. I spent the rest of the week imagining the giant waking up and watching him roam around the Dingle Peninsula in my mind’s eye. My sister and I toured and walked and sunned ourselves by day, and I snapped photos with my trusty Olympus OM10 as we went, already thinking of these shots as research. We met the Kennedys at Coumeenole a few times, and I painted them into the beach scene in the book to mark the fact that it was Mary (yes, that Mary Kennedy) who sparked the idea for the story.

Evenings were spent in local pubs. The sessions were mighty, and I captured one of them in the book. In my memory, the pub was Páidi Ó Sé’s in Ventry, but my sister remembers that session being in An Cúinne, Feohanagh. Who knows which of us is remembering the venue correctly, but we do concur on the singers and the craic!

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Where Are You, Puffling? and Where Did You Come From?

This week we chatted with the wonderful Gerry Daly, co-creator and illustrator of Where Are You, Puffling?. Gerry’s uncle Sean came up with the initial idea, and the story developed from there! Gerry tells us all about the journey of this adorable picture book, including working with the brilliant Erika McGann.

 

What inspired your uncle Sean to write this story to begin with?

When Sean was visiting the Skellig islands he noticed that the puffins and the rabbits seemed to be getting along together as they went about their business. He heard they even share their burrows! Or at least the rabbits move back in once the puffins head out to the ocean for the winter. Sean imagined they might help each other out in times of need, and he thought this could make a good story for his grandsons.

What was it like to work with Sean on this?

Great fun! Sean showed me his finished text, and had the idea that I might add some illustrations to it. He would then have just a few printed up, for the boys and the rest of the family. We had already worked together on a short family history book. That self-published book showed Sean’s great interest in genealogy, Irish history and places. His enthusiasm for the Skellig story was very infectious. It wasn’t long before we were working on ideas for images and layout. He’d often say, ‘I love it, now we’re sucking diesel!’

Unfortunately, around this time Sean had been diagnosed with cancer, and he passed away not long after. I was then back at college doing a masters, and didn’t have much time to look at the book for a while, but eventually I managed to add the illustrations. I didn’t have a title to the story, so my dad suggested ‘The Skellig Shenanigans’. I had a few printed up, which came as a nice surprise to family and friends, most of whom had no idea that this had been in the making. I didn’t want the story to just be forgotten, and felt it really had to be finished best I could manage.

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Irish Book Awards Shortlisted Titles

The O’Brien Press are absolutely delighted to have two of our books shortlisted for three Irish Book Awards.

Blazing a Trail By Sarah Webb and illustrated by Lauren O’Neill has been shortlisted for two awards:

The Journal.ie Best Irish-Published Book Of the Year

The National Book Tokens Children’s Book of the Year – Senior

The Pooka Party by Shona Shirley Macdonald has been shortlisted for the following award:

The National Book Tokens Children’s Book of the Year – Junior

If you haven’t already heard about these amazing books then here is a little bit about them and a sneak peak!

Blazing a Trail  is a book for everyone who dreams of changing the world.

‘Dress suitably in short skirts and strong boots, leave your jewels in the bank and buy a revolver.’
– COUNTESS MARKIEVICZ, rebel leader and politician

From daring aviator LADY HEATH to savvy gold prospector NELLIE CASHMAN, fearless sea captain GRANUAILE to world-class dancer DAME NINETTE DE VALOIS,
scene-stealing actor MAUREEN O’HARA to record-breaking runner SONIA O’SULLIVAN, activist MAUD GONNE to President MARY ROBINSON, meet the remarkable Irish women who shaped the world we live in.

Discover their achievements, the ways in which they devoted their whole lives to making a difference, and with each original stunning illustration, feel the essence of these important trailblazers.

‘We are all made of star stuff.’
– DAME JOCELYN BELL BURNELL, astrophysicist

Packed with fun, fascinating facts and stunning, full-page illustrations, this book celebrates the trail blazers who have shaped the world we live in.

Ready to walk in their footsteps? A world of bravery and discovery awaits you.

Made by two remarkable women, author Sarah Webb and illustrator Lauren O’Neill.

Sneak Peak Below!!

The Pooka is a magical shapeshifter who lives in the mountains all alone; fixing things, painting, dancing and singing. Suddenly, none of this seems fun any more, the Pooka realises that its lonely and hasn’t seen its friends in ages!

After having some time to think, the Pooka decides to throw a big party and invite all of its friends. Join the Pooka as it attempts to throw the Pooka party of the century in this fun and beautifully illustrated picture book.

A madcap tale of what to do if you feel sad and lonely, starring one shapeshifting hero with some musical monsters, flying cakes and a guest appearance by the Moon.

Sneak Peak Below!!

Don’t forget to Vote – click here!

Elena Browne, October 2018