Virtual Interview with Jarlath Gregory

This week, I chatted with Jarlath Gregory, author of the wonderful new Young Adult novel, What Love Looks Like.

Could you describe What Love Looks Like in five words?  

Romantic comedy with a heart.

There are so many characters in this book that I loved — who was your favourite character to write? 

Soda was the most fun to write, because he gets all the best lines. Writing him was like an excuse to drag up and let my inner diva out.

Leading on from that, who was your least favourite character to write? 

I enjoyed writing all the characters, because they all play an important part in the story. Whether a character is nice or nasty doesn’t matter — if you’re writing a character and not enjoying them, you should switch up the character until you’re happy with them.

Are any of the characters in the book based on people in real life, except Panti of course! 

No, they’re all completely imaginary. They all came out fully formed, except for Aaron, who changed a lot from the original first draft. Some of the characters are recognisable as types, like Peter, for example. I think a lot of readers would recognise someone like Peter, who’s had less support than Ben and perhaps that’s why he acts the way he does.

What is the main message you’d like readers to take from this story? If your book could pass on a piece of advice to someone what would it be? 

I don’t think books need to have a message, but if they do, it’s up to each reader to decide for themselves what their own message is. In fact, when my mum read it, her big takeaway was “It wasn’t too preachy” — high praise, I think! As a reader, I’d probably enjoy seeing how sometimes personal problems work out without any messy drama, as long as people learn to be accepting.

Ben’s family and friends are wonderful, reading about them is like being hugged. Loving people for who they are is at the heart of this book. How important was it to you to have this positive representation of family at the core of Ben’s story?

That was very important for me. There’s a tendency in some queer writing to focus on family rejection or suffering, which are real issues that deserve to be explored, but it’s not the full story anymore. I wanted to write the sort of book that would’ve seemed impossible 20 years ago, and a big part of that is celebrating the fact that parents and peer groups are very accepting of queer identity from a younger age now.

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