To celebrate the new paperback edition of the wonderful picture book Eva and the Perfect Rain, author and illustrator Tatyana Feeney tells us all about her writing and illustrating process.
When I became interested in making picture books, I really was thinking about the illustrations and making beautiful art to go with a story.
But after working on some character design projects in art college, I started to think about stories to go with my drawings, or stories about the characters that started to evolve as I was drawing them.
What was different about Eva and the Perfect Rain, is it was the first story I wrote that began with the words.
When I first moved to Ireland, I was amazed and intrigued by all of the words that are used to talk about rain. The words and phrases that I heard made me think of different textures, colours and ways of showing weather. ‘Soft day’, ‘sunshower’, ‘pelting’, ‘lashing’, ‘bucketing’, they are all so descriptive and I realised I wanted to make a book that would show what those words look like to me.
This week, I chatted with Jarlath Gregory, author of the wonderful new Young Adult novel, What Love Looks Like.
Could you describe What Love Looks Like in five words?
Romantic comedy with a heart.
There are so many characters in this book that I loved — who was your favourite character to write?
Soda was the most fun to write, because he gets all the best lines. Writing him was like an excuse to drag up and let my inner diva out.
Leading on from that, who was your least favourite character to write?
I enjoyed writing all the characters, because they all play an important part in the story. Whether a character is nice or nasty doesn’t matter — if you’re writing a character and not enjoying them, you should switch up the character until you’re happy with them.
Are any of the characters in the book based on people in real life, except Panti of course!
No, they’re all completely imaginary. They all came out fully formed, except for Aaron, who changed a lot from the original first draft. Some of the characters are recognisable as types, like Peter, for example. I think a lot of readers would recognise someone like Peter, who’s had less support than Ben and perhaps that’s why he acts the way he does.
What is the main message you’d like readers to take from this story? If your book could pass on a piece of advice to someone what would it be?
I don’t think books need to have a message, but if they do, it’s up to each reader to decide for themselves what their own message is. In fact, when my mum read it, her big takeaway was “It wasn’t too preachy” — high praise, I think! As a reader, I’d probably enjoy seeing how sometimes personal problems work out without any messy drama, as long as people learn to be accepting.
Ben’s family and friends are wonderful, reading about them is like being hugged. Loving people for who they are is at the heart of this book. How important was it to you to have this positive representation of family at the core of Ben’s story?
That was very important for me. There’s a tendency in some queer writing to focus on family rejection or suffering, which are real issues that deserve to be explored, but it’s not the full story anymore. I wanted to write the sort of book that would’ve seemed impossible 20 years ago, and a big part of that is celebrating the fact that parents and peer groups are very accepting of queer identity from a younger age now.
Following the publication of the wonderful Flossie McFluff – An Irish Fairy, author Eoin O’Brien and illustrator Audrey Dowling tell us all about the making of Flossie McFluff.
I have always loved fairies. I love the idea that there are magical creatures looking after forests and wild places, taking care of all the tiny creatures and the natural world. There is so much magic in nature – and more the closer you look – that it is not hard to picture little guardians keeping an eye on it all.
Flossie McFluff began as a name. It just popped into my head one day, and made me smile. It was partly inspired by meeting one of the famous McNutt family from Donegal, who make beautiful woollen things – what a great name! And I think that Flossie is from somewhere towards the north of the country, where there is lots of magic.
Since writing the book, I discovered another Flossie – Flossie Donnelly, a twelve-year-old who organises ‘Flossie and the Beach Cleaners’, a campaign to clean beaches in south County Dublin. I imagine my Flossie would get on great with her!
I have heard that a good way to write a story is to create an interesting character and then sit back and see what they get up to. So, I thought about Flossie, and what she might be like: She’s very small, small enough that a big gust of wind would probably send her flying, but she’s feisty and tough. She’s a faithful friend, always ready to lend a hand, but she’s also likely to have a fit of giggles at any moment. She talks to trees and flowers, and lets them know that they’ll always have a good friend in her. And she loves just flying around, singing a little song to herself.
This year’s World Book Day from Ireland is by bestselling author Judi Curtin. Lily and the Lissadell Ghost is an exciting side story from the Lissadell Series (Lily at Lissadell and Lily Steps Up).
In Lissadell House in Sligo in 1914 Lily and her friend Nellie are housemaids at Lissadell House. Work keeps the girls busy, but they still find time for fun – and for friendship with Maeve, the madcap daughter of Countess Markievicz. So when there are rumours of a ghost at Lissadell, Sherlock Holmes-fan Maeve is determined to investigate. Between them, can the girls solve the mystery of the Lissadell ghost? This is a brilliant story of friendship, history and mystery.
This week I chatted to the wonderful Judi about her World Book Day book and the Lissadell series!
Lily and her friends are such great characters, did you enjoy writing this World Book Day book about them?
Ah, yes. I usually become very fond of my characters, and the Lissadell ones are no exception. This book is much shorter than my usual ones, and I had a lot of fun trying to give all my old friends a role.
What drew you to write about Lissadell House for this series?
Michael O’Brien had the original idea, and initially I resisted. It was the thought of my grandmothers, both of whom worked as housemaids, that first made me take the idea seriously. I liked the story of Countess Markievicz and her family, but I wanted to tell the stories of the servants too.
Who is your favourite character to write in the Lissadell series?
That’s a hard one! I love Lily of course, and also Maeve, and Nellie – basically I’m now bonded with all of them, and refuse to choose.
This week, author Erika McGann and illustrator Gerry Daly tell us all about their latest picture book, Wee Donkey’s Treasure Hunt, particularly, how this mischievous and cheeky donkey came to life and how her adventure developed.
When I began working on my first picture book, I was very tempted to write it in rhyme. I grew up loving Each Peach Pear Plum and everything Dr. Seuss, and there really isn’t anything as musical or joyful as a well-written story for children in verse. But as it was my first attempt at writing a book for that age group, the added pressure of doing it in rhyme was too intimidating. I had to consider language level, structure, and content for an audience that was new to me, not to mention jamming a full and fun story into such a tiny word count. I could see myself getting close to the deadline, sweating, frantically searching for something to rhyme with ‘orange’. Although my first drafts had occasional, accidental rhyming phrases (which gave me a silly amount of glee), I knew I should wait until I had a little more experience with the age level to do it properly.
A couple of years later I was finishing up a series for older kids and looking to submit a new project to O’Brien Press. I was dying to do something just for the fun of it, and it finally seemed time to give the rhyming children’s book a go. I’d recently worked on Where Are You, Puffling? with Ger, and I thought another adorable animal protagonist would be great craic to write. I searched images of cute animals for a bit of inspiration and came across a brilliant photo of a wide-smiling wee donkey with her nose pressed up against the camera lens. She made me laugh, and I figured I’d found the right character to work with – cheeky, loveable, and great for a giggle.
Author and illustrator, Bex Sheridan, tells us all about the inspiration for her gorgeous new picture book, Go to Sleep, Hoglet!
I live with my husband, Jay, in a house filled with animals and in 2017 a spikey little hoglet joined the crew. We called him Mu. Mu is an African pygmy hedgehog (a domestic pet hedgehog). They’re smaller than wild Irish hedgehogs and look a little different. One big difference is that African pygmy hedgehogs who are kept as pets are not supposed to hibernate, but they still can. If they do they can fall ill, so making sure Mu stayed in good health meant understanding hedgehog hibernation. This was how the seed for Hoglet’s adventure was first sewn.
Mu doesn’t like me very much, he’s a very angry little hedgehog. I know he’s angry from how he acts, how he tries to spike me with his quills at every opportunity and he makes some very funny sounds. With his mood written all over his face (he makes no attempt to hide his anger), I couldn’t resist drawing him. There’s just so much expression in such an angry little guy! I had so much fun trying to draw each and every spike that I drew him several times and even made prints to share his anger. It turned out I actually enjoyed telling people all about him and sharing what I’d learnt about hedgehogs along the way.
On Culture Night 2018, Úna Woods asked for a ten-minute slot with the O’Brien Press team at our Pitch Perfect event. Two years later, I asked Una for ten minutes of her time for a quick chat about her debut picture book, Have You Seen the Dublin Vampire?
How does it feel to have your first book published?
I have always dreamed of writing and illustrating my own picture book. To finally see it printed is so exciting. I can’t wait to see it in bookshops!
What made you sign up for Culture Night in 2018?
My Friend Paula Moen persuaded me to go along to the Culture Night pitching event, as I was always talking about writing and illustrating my own book. It was great to finally have the goal of pitching my book to somebody and it was such a great opportunity to meet a publisher face to face.
Tell us about your Culture Night Pitch Perfect experience.
I was so nervous when I knocked on the door, as I didn’t really know what to expect. I pitched my idea to Emma Byrne, the Design Manager in O Brien Press. At this point I didn’t really have a full story, but I knew that my story was going to be based around a friendly Dublin Vampire. I brought along some sketches and I had done up some colour samples, so she could see what style I intended for the book. She really liked what I had brought along. It was so great to be able to show someone my ideas and chat to them face to face. I felt really lucky to have met Emma, as she mentioned she liked vampires too. And so the adventure of making my picture book began!
This week, I had a virtual interview with the wonderful Carol Ann Treacy, author and illustrator of Barney Goose – A Wild Atlantic Way Adventure. Carol tells us about her inspiration for Barney Goose, her writing and illustrating processes and more!
What inspired you to write and illustrate Barney Goose – A Wild Atlantic Way Adventure?
A few years ago we took a trip along the Wild Atlantic Way coastline. It was such a fun holiday, and I was struck by the beauty of marine and bird life there. I really wanted to capture that in some way, so I started thinking about creating an illustrated journey book. I am fascinated by wildlife and in particular birds (mostly because they can fly). I’m kind of in awe of how geese fly in formations and on such incredibly long journeys across vast oceans every year. I thought it might be interesting to tell a tale of a barnacle goose who starts his life as a displaced egg, away from other geese, but through instinct, determination and a little help from other animals he meets along the Wild Atlantic Way, finds his way back on track. And then he makes that unbelievable journey, thousands of miles across the Atlantic Ocean, for the first time.
What was your creative process with this book? What came first – the illustrations or the words?
I start my process with notebooks, which are usually a mess that no one could decipher apart from myself! Initially, I worked on both the storyline and illustrations for Barney Goose in tandem. Whenever I got stuck, I could switch over, and one kind of informed the other. I worked on my main character, Barney the barnacle goose, first – they are such striking geese, with long, black necks and white-feathered faces.
After doing my research on the life and character of these geese, I started teasing out the story of Barney’s journey from West Cork to Donegal, and drawing some of the other characters Barney meets along the way. When I had my storyline in place, I submitted the text to my editor, Eoin O’Brien, for refinement. At this stage, Eoin suggested creating some ‘scamps’ – very rough sketches. Using a roll of parchment paper, I sketched out every double page spread as one long, continuous storyboard. This was my favourite part of the process, where everything started to come together. I love using a scrollable storyboard – it’s a great way to see just how all the scenes interact, and at this stage you can correct or change anything, before any detail is added.
Once everyone was happy with the sketched layout, I photographed my storyboard and started to work over my drawing in digital format. I used Adobe Illustrator and a Wacom tablet for drawing and painting.
Helen Corcoran, author of Queen of Coin and Whispers, tells us about why she wrote her amazing debut novel.
I’ve been a reader for as long as I can remember. I can’t pinpoint when reading became a need on par with breathing, but I know when I realised I wanted to be a writer. I was eight, reading one of Enid Blyton’s Amelia Jane books, and it clicked in my brain that someone had put all these words and sentences into chapters, and had made a book that I couldn’t put down until I reached the end. More than anything, I wanted to be that kind of person.
Like most readers, I devoured books, tore through them like they’d all disappear if I didn’t read fast enough. My library loan limit went up and up, as my parents and the local librarian tried to keep up with me. I still wanted to be a writer, but I didn’t know what I wanted to write about. So, I read and read, as if hoping what to write would present itself in the words.
And it finally did.
A bookseller suspected I might like a book called Alanna: the First Adventure by Tamora Pierce. They were right.
My world was blown wide open. I’d dabbled around fantasy and magic, but now I flung myself into the genre and didn’t look back. Dragons, wizards, monarchs, vampires, werewolves, mages; Tamora Pierce, Michael Scott, Philip Pullman, Christopher Pike, Mervyn Peake. I worked through them all. I’d found my genre: I loved reading in a way I hadn’t before. I was living in a village in Cork, but books presented me with a window to different worlds.
But they weren’t giving me a mirror: characters in which to see myself reflected. I wasn’t searching just for characters to empathise with and look up to, but also for ones who were queer. Because—like many teenagers before me, and many more after me—I’d realised I wasn’t straight.
The wonderful Gerard Siggins tells us about his return to the brilliant and popular Rugby Spirit series with his latest book, Gaelic Spirit.
Eoin Madden had a verrrrrry long rugby season. The previous summer was spent helping Ireland win the mini-World Cup in London, and without much break he had a busy winter solving the mystery of the stolen World Cup and saving Lansdowne Road from disaster. To cap it all, he was flown off to New Zealand to play for the Lion Cubs…
So you might think he would need a rest?
That’s just not Eoin’s way!
No, our hero gets home to his parents in Co Tipperary and throws himself into action with his local GAA club, Ormondstown Gaels.
Gaelic and hurling were Eoin’s original passions but he had to lay them aside when he went to boarding school in Dublin. His rugby successes have been chronicled in the Rugby Spirit series but his return to his first love kicks off a new run of Eoin Madden adventures.
In Gaelic Spirit, Eoin gets up to his usual range of mischief, attracting trouble and solving mysteries. He also has some encounters with ghosts of long-dead sporting heroes and rediscovers his talent as a footballer and hurler. I love the idea of what sports coaches call ‘transferrable skills’ and how Eoin brings things he has learnt in rugby into Gaelic football. His skill as a hurler might make him a decent cricketer some day!
In a heart-stopping climax to Gaelic Spirit he visits Croke Park for the All-Ireland final and is shocked to watch the terrible events that happened there exactly one hundred years ago as if he had been there.